Wednesday 11 July 2012

Divorced


Divorced

By Terry Slack

Cursed be the eyes that feast upon my naked form,
For boundaries crossed, cannot forestall the coming storm.
My hand I gave to you with ‘only trust’ the pledge,
You violated that trust, pushed me to the edge.

So what you see, standing alone, before you now
It is not the ‘Spirit’ that gave to you that vow.
There is a heart that beats within, you cannot face,
But Spirit’s taken refuge, in its sacred place.

Be gone thyself, for nothing’s waiting for you now,
No love, nor pleasure, you’ve destroyed it all somehow.
Live now within the boundaries of your wicked heart.
For sure our lives ‘once blessed’ must now be lived apart.

The End

Tuesday 10 July 2012

The Stock Exchange.


The Stock Exchange
By Terry Slack
 
Get off your butt, take my hand, we are going for a walk.
Open your eyes, open your mind, ‘tis not the time to talk.
We are traveling ‘thru’ the past, across the sands of time.
Opening up to yesteryear, using the world of rhyme.

I never really thought, a simple block of land I be.
Then people come along and they build buildings over me.
It just so happens though the year is Eighteen seventy one.
They’ve found Gold in Charters Towers; the town is on the run.

Mosman Street in Charters Towers is the place I do reside.
They have found Gold all around me, but I have naught to hide.
There is just an old building, Malcolm’s Building they can’t fix,
Alexander Malcolm bought me for just Two pound seven and six.

But sure enough an Architect, by the name of Mark Day,
With Sydney builders, Sandbrook Brothers, happened by this way.
They built a monster of a building, as if to challenge fate.
The Royal Arcade, came to reside, in Eighteen eighty eight.

I’m not just a block of land, but a building there as well.
Designed to serve the affluent, is easy now to tell.
A lovely glass domed ceiling, with the small shops tucked inside.
Exquisite tiles upon the floor, with beauty you can’t hide.

But things are happening very fast, all destined now for change.
Then in Eighteen ninety, they used me for the Stock Exchange.
They needed just one place, to seal the business dealer’s fate.
Charters Towers, now the second biggest City in the State.

Was in the height of my glory, the deals that all were done.
‘Union Bank’ took over me, in Nineteen hundred and one.
Alexander Malcolm was broke, but no one said out loud.
Moved away to Sydney and there he called himself McLeod.

A bad depression started, back in Eighteen ninety three.
By Nineteen sixteen it had closed the better part of me.
By Nineteen twenty two the Mines had all but disappeared.
No money to maintain me now, was something that I feared.

My glory days are gone and I fall into disrepair,
And those that lost on the stock exchange do not seem to care.
The First World War dominated the thoughts of modern man
And stripped the assets from the land, as only World Wars can.

Amongst the mullock heaps and old mine shafts they left behind,
Only the strongest of heart, are the residents you find.
Etching out a meager living from the farms that surround,
With just the need of water, on this rich and fertile ground.

With the Royal Arcade, now Stock Exchange, crumbling on my back,
There seemed no future deemed for me along the ‘Aussie’ Track.
A few old pensioners living in poverty reside,
No water, gas or basic needs; from Eventide they hide.

The glory of my yesteryears comes crumbling round my ears,
The lack of people coming through portrays my greatest fears.
Two shops in the front a Watchmaker and a Barbers Shop,
Crooked Ass Mc Haggerty rented, for Ten bob a pop.

The place got too dangerous so they had to build a gate.
They had to keep me locked up at night when it got too late.
Those who make this place their home; have to enter from the rear,
Though most of the general public would not come near for fear.

Fortune comes and fortune goes, before long the tide will turn.
The Farmers found new fortune in the money they can earn.
The World Wars have settled down, again peace comes to the land.
The Dalrymple Shire Council, give me a big helping hand.

An Architect, Don Roderick was employed to view my case.
In Nineteen seventy one they begin to repair my face,
Nineteen seventy five looks good, they have done repairs inside.
It did not take them long to restore me back to my pride.

To ensure my future care, is considered as a must.
So this big job is taken over by the National Trust.
Charters Towers, Dalrymple Historic Society
Fund raising restores my confidence, in propriety.

A vast array of different shops so very few the same
All with great ambition to make their fortune or their name,
Slowly they came to make use of the building I am now
And rid me of my sordid past to start again somehow.

So many shops I’ve had within, it hasn’t finished yet,
Hard to name but I’ll remember the ones I don’t forget.
In Nineteen seventy six an Assay room and ‘4GC’,
Bill Browns Duplicators and Blue Light Medicine there be.

The National Trust Office a Showroom and a I too
Visit the Electoral Office or Art Gallery, do.
A Mining Museum and Council Engineers you’ll see,
All Those other businesses wanting to set up in me.

Then in the Nineteen eighties a wicked drought gripped the land.
One of the worst for many years it turned the grass to sand.
They say the stock survived by sucking on a Gidgee stone
But so many cattle ended up simply skin and bone.

Just now money is tight, life is hard, but we will survive.
A  Lingerie and Beauty shop will keep the place alive.
With blind faith, this shop began back in Nineteen eighty nine
It worked, for soon they grew to rent out three shops in a line.

They tidied up the Gallery to get me back on track.
It wasn’t long before more businesses were coming back.
The Physio, a Book Shop and Thrift Shop, take up a space,
When one would leave another one would simply take their place.

I’m happy now I’m busy; once again I’m being used.
Providing space for business and not being abused.
I hear plans are a-foot; there are big changes in the air.
They all include ‘The Stock Exchange’; after minor repair.

A Gold Trail for the Tourist trade in Two thousand and three
It starts off in the Tourist Centre right beside of me.
They have a Gold Rush film in the Orientation Room
Then move next door to hear about the Stock Exchanges boom.

They’ve installed cardboard cut out figures in the open space
To give us an idea of how they used to use this place.
The Calling of the Cards gives us the markets highs and lows,
It’s how the shares were bought and sold so everybody knows.

They’re also holding many social functions in me now,
With Weddings, Formal Dinners, we will manage here somehow.
The Miners Ball with Moulin Rouge as the formal attire.
A Ghost’s Parade of City Elders since they did retire.

By Two thousand and ten I had another overhaul
This time replace the broken tiles and Glass so it won’t fall.
To stop the rising damp, paint and the guttering was done.
Seven hundred and thirty thousand dollars ‘till we won.

But at least I look forward to the future now with pride,
No faults or structural flaws I don’t have anything to hide
With Café, Electoral Office, Real Estate, Book Shop,
Fashion and Museum an ideal meeting place to stop.

Thank you for your attention, this my journey, has been fun,
Don’t think of it as ending for my journey’s just begun.
I apologise for any discrepancies you find,
I blame Poetic Licence or Wanderings of my Mind.

The End.


Plagiarism—explained

As a writers group, the Bush Curlews encourages budding authors of every age to develop their literary skills. However, all over the world teachers, publishers and competition judges (like ours) face the possibility that a story or poem provided for assessment has been plagiarized.

But why is plagiarism such a dirty word in the literary world?

Whether an author writes a short story or an article, or if they have written a poem, the main motivation for constructing their piece in the first place is to express their views, opinions or ideas.

Plagiarism, on the other hand, is an act of fraud. When work has been plagiarized the reader is given the false impression that the author had written or thought something that he or she had in fact“borrowed” from another.

The definition is simple:
If you turn in someone else’s work as your own it is considered as plagiarism. If you copy words or ideas from someone else without giving credit it is considered as plagiarism. If you fail to put a quotation in quotation marks, or give incorrect information about the source of a quotation it is considered as plagiarism.

There are other more obvious acts, such as when someone changes words but has copied the sentence structure of a source without giving credit.

Most cases of plagiarism can be avoided simply by citing sources. All the writer needs to do is to acknowledge that certain material has been borrowed and to provide the reader with enough information to find that source.

However, there is a limit to how much one should copy. If you duplicate so many words or ideas from a source that it makes up the majority of your work, whether you give credit or not, it can still be classified as plagiarism.

In the literary world, there is no excuse for committing plagiarism.

How do you write a press release?


Top 10 tips
(courtesy of Trudy Brown, Editor of The Northern Miner)

1. Keep it short—single A4 page

2. Write a catchy, short, heading at the top of the press release (6-10 words).

3. Put the NEW news first in your press release—don’t begin with the preamble or background, tell us what’s new.
4. Make it easy for the media—make it clear and relevant to local readers, that way it is more likely to be used and used as is.

5. Include a quotable quote—quote yourself in quotation marks, make it interesting and specify who said it.
6. Have no jargon in your press release—don’t confuse people with things the average person doesn’t say. The reader won’t read it.
7. Create an interesting press release—look for the thing that is different, a curiosity, quirky. Readers love that.
8. Include the details—answering the who, what, when, where, why and how questions.

9. Include your contact details—that way the journalist knows who to talk to about the press release if they want more information.
10. Make sure you send it well ahead of time—if you send your release two days before your event, with a bi-weekly paper it may miss the next edition. And make sure you phone or email to see if someone has received your press release if you haven’t heard from anyone within a week of sending it through.

Member benefits


Among the many benefits of being a member of a writers group are:

· Being recognised as a writer

· Competition information (local, national and international)

· Motivation to practice your skills

· Inspiration for new poems and stories

· Support and camaraderie

· Constructive criticism for your work 

Questions to ask yourself about your story



· Which character or characters would tell the story in the most interesting way?

· How would my story change if it were told from a single point of view/multiple points of view?
· Can I expand or limit point of view to increase suspense?

· What information must I include or delete in order to shift points of view?
· What are the advantages or disadvantages of the different narrative voices?

· What mood am I trying to convey? Formal? Informal? Casual? Ominous? Playful?
· Do I want the narrator’s voice to act as another character or to fade into the background?

What Judges are seeking



Have you ever wondered what gives one story “the edge” over another in a competition?

Whilst compiling results for the 2010-2011 Bush Curlews Literary Awards Competition, we kept a list of key elements based on the comments written by our three judges.

1. It’s important to have a good opening

2. Needs to have good spelling and be grammatically sound
3. Be well-constructed and flow easily
4. Stories work best if they include a build-up and climax

5. Don’t have sentences too long
6. Pay attention to the rhythm and tempo in poems
7. Stories and poems need to have a clear message
8. Sexually explicit details and swearing doesn't appeal to all readers and our judges gave entries with such content a lower score.

9. Be emotional, but not too personal

10. Have thought-provoking/educational topics relevant to today
11. Include strong and credible characters who inter-relate well.
12. Stories and poems displaying originality rated highly with our judges
13. It’s vital to have a good ending, such as: amusing, optimistic and/or unexpected

14. Don’t have an obscure or confusing ending

A competition incentive


By Maria Caesar
 
When we host a competition no entrant goes empty handed. Whether or not a cheque or certificate has been earned, our judges have been able to provide what all writers strive to attain – constructive criticism on their work. 
So at a glance entrants can see the elements of their work which needs to be improved and which parts they should simply maintain. Our judges will even correct the spelling and grammar if required – all of this goes towards helping budding Australian writers to enrich their work and develop their skills to one day be published or to increase their chances towards winning other literary competitions.