Scattered throughout
Charters Towers are numerous displays of local works of art. There are even
paintings upon decorative timber boxes that cover the public rubbish bins in
the main street. Each of the wooden enclosures on this surprising avenue for a
“Heritage Link” feature different historical buildings such as the Church of Christ with its bell tower and
the School of Mines. Other examples
of city art can be found in the form of several large wall murals depicting
various scenes of Charters Towers’ yesteryear.
In the restaurant of
the Charters Towers Civic Club there
is a beautiful floor-to-ceiling mural that stretches the length of the dining
area. The colourful artwork is divided into three sections. One captures the
scene of a lawn bowls game being played c.1950. Players donned in their white
attire occupy a field with the Charters
Towers Bowling Club as their backdrop.
The other two sections
of the wall painting are set in Lissner
Park. A woman dressed in an elegant ankle-length gown and carrying a dainty
parasol strolls with her equally well-garbed partner within the lush green
landscape. Both the Lissner Park
rotunda and the fountain feature prominently on the mural. If you look closely
you can see the bats hanging from the tree branches; they had been added to the
painting in recent years.
The Civic Club was originally known as the Londoner’s Club (a gentleman’s club) and
in the room adjacent to the dining section you can play a few rounds of
billiards on one of their two 100-year old tables.
Other city murals can
be located at Centenary Park and next
to the Westpac Bank. The painting in Centenary Park depicts a sepia image of
Mosman Street c.1890, whereas the Westpac
Bank mural shows the Pyrites Works
on Towers Hill during its glory days c. 1895.
The largest and perhaps
most famous mural in Charters Towers has been painted onto the wall of the Arthur Titley Centre in Mosman Street.
The images on this grand-scale work of art, unlike the others scattered
throughout the city, are almost cartoon-like. The two-dimensional imagery
includes several historical buildings such as Stan Pollards, the Arthur
Titley Centre, the local Post Office, and the Stock Exchange Arcade. Tall chimneys and clusters of mullock heaps
sit alongside the old miner’s cottages as the scene, despite its dimensional
shortcomings, provides a remarkably accurate glimpse into the Charters Towers
mining heyday. The mural was originally painted in 1986 by Mark Sutherland then
due to long-term exposure to the elements required careful restoration in 2010.
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